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Rebekah Hayes

Partner
Head of Production Finance

Contact
CMS Cameron McKenna Nabarro Olswang LLP
Cannon Place
78 Cannon Street
London
EC4N 6AF
United Kingdom
Languages English

Rebekah is a Partner in our Commercial team and is head of the Production Finance Practice. She has a breadth of experience in the film and television sector acting for both producers and financiers.

Rebekah regularly advises producers and financiers on a range of issues, including co-production funding and access to appropriate subsidies and incentives, single picture and slate deal facilities and funds, and the production, distribution and exploitation of audio-visual content.

Rebekah also works alongside the corporate media team advising on media sector specific issues on M&A and joint venture transactions.

Rebekah regularly holds legal breakfast sessions for the members of Women in Film & Television on a variety of matters, from the UK Tax Credit to the possible implications of Brexit on the Film and TV industry.

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Relevant experience

  • Jeremy Clarkson and his production company on all aspects of the "The Grand Tour” and “Clarkson’s Farm”
  • Element Films on all production matters relating to the film "Disobedience".
  • A UK financing house on a number of single picture production finance transactions, including working with our international teams to advise on lending against various international production incentives. 
  • Two US Studios regarding all production related matters in connection with their recent UK film productions.
  • Littlestar Services in connection with the "Mamma Mia" film sequel.
  • The production entities in connection with the high end drama series “Riviera” for Sky Atlantic.
  • UK banking groups regarding their single series and film production financing activities. 
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Memberships & Roles

  • Women in Film & TV
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Education

  • 2005 – LPC, BLP, London
  • 2003 – LLB, University of Leicester, Leicester
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Feed

11/03/2024
UK Independent Film Tax Credit
On Wednesday 6 March 2024, the Chancellor of the Exchequer announced the introduction of the UK Independent Film Tax Credit (“IFTC”) in the Spring Budget.The IFTC is specifically targeted at the UK’s...
11/04/2023
Part 1 of our 7-part series on the draft Media Bill – public service television...
In the first article of our 7-part series, we explore Part 1 of the draft Media Bill, which aims to futureproof the obligations of public service broadcasters, and make it easier for these obligations...
06/04/2023
Part 3 of our 7-part series on the draft Media Bill – the future of Channel...
In this article, we look at Part 3 of the draft Media Bill, the Government’s resolution to initially one of the most controversial aspects of the Media White Paper, regarding the future of Channel 4.Channel...
17/03/2023
Changes to audio-visual tax reliefs in the UK
Following a period of consultation in which much of the industry has been actively engaged, the Chancellor of the Exchequer announced in this week’s Spring Budget the package of reforms that will apply...
01/12/2021
Media update morning - Winter 2021
Our popular Media Update Morning returns – online only. Our last few sessions have been dominated by Brexit and Covid-19, and while we can’t promise these subjects won’t come up, this session will...
01/11/2021
The media and climate change
How is the media sector addressing the climate challenge?
28/10/2021
UK and EU Targets
At a governmental level, national governments and the European Commission have produced a series of targets. Olivia Jamison, specialist environment partner at CMS, outlines the context. ‘For the last 40 odd years, we’ve had various EU laws focused on waste, emissions and energy efficiency,’ she says. ‘In the last 10 to 15 years, they have been increased layer on layer. Now we’re at a point where targets are becoming more tangible with requirements frontloaded rather than end of pipe.’In the UK, the Climate Change Act 2008 originally committed the UK to an 80% reduction of greenhouse gas emissions by 2050, compared to 1990 levels. In 2019, the Government amended that Act committing the UK to achieve net zero by 2050, rather than the 80% reduction target. In April this year, the Government further heightened its ambition, announcing that it “will set the world’s most ambitious climate change target” to reduce emissions by 78% by 2035. Further regulation is coming. ‘In the UK, we have some existing environmental reporting requirements for certain types of businesses including more recently streamlined energy and carbon reporting, and mandatory climate related reporting for quoted or larger businesses is expected to apply from April 2022,’ says Jamison. ‘Meanwhile the EU has launched the European Green Deal – a set of policy initiatives and legal proposals by the European Commission. The original commitment was to reach climate neutrality across the EU by 2050: an economy with net-zero greenhouse gas emission. In both jurisdictions, there have recently been additional announcements for new legal targets by 2030.‘The UK now has a target of a 68% reduction by 2030, and the EU, at least a 55% reduction by 2030, bringing forward reduction targets by 10 to 15 years in each case. This requires really transformational change, the likes of which we have never seen previously.’ For business, the transformation will certainly be huge. ‘It will impact all sectors of business in everything that they do,’ she says. ‘Although the UK is being more ambitious, the EU is setting this out in a very distinct framework, which means that it is slightly easier for businesses to understand what is expected of them.’ The recent publication of the UK’s Net Zero Strategy is intended to provide more clarity on the changes required to meet the UK’s reduction target. Importantly, in addition to those efforts, adaptation and mitigation measures will be crucial for businesses to factor into their activities and that of their value chain.
28/10/2021
Media emissions
The greenhouse gas impact of audio-visual media falls into three principal areas: transport, energy, and waste.  In terms of emissions, transport accounts for approximately 50% of the total: primarily moving people (cast/crew) and freight (filming equipment, sets) for the production of assorted programmes. Energy, comprised of electricity and gas consumption, comes next, driven by corporate operations, studio power, production offices, and the use of diesel generators on location. Of course this ignores the energy required to power the infrastructure required to distribute the content – that’s a whole other paper in itself – and the devices needed to consume it. Finally, there is waste. Production can be a notoriously “disposable” process: sets and materials are often designed and created for specific projects, before being taken down and thrown away once filming ends. For print media, there is the additional factor of newspapers and magazines, whose production requires millions of trees to be felled while mass distribution consumes significant energy. Inevitably, waste is ubiquitous. Although sales of physical titles may be in long term decline, online media outlets also create their own carbon footprint.
30/09/2021
CMS advises ViacomCBS and Comcast on joint venture partnership to launch...
International law firm CMS has advised ViacomCBS and Comcast on aspects of their partnership to launch a new subscription video on demand (SVOD) streaming service, SkyShowtime. The partnership will be...
17/01/2020
Funding for films, television and other audio-visual works in Western Europe
When selecting a destination for your film or television production, there are a number of key issues to consider: (i) the track record and availability of leading industry professionals and crew; (ii)...
16/07/2018
CMS advises on production and distribution of “Mamma Mia! Here We Go Again”
International law firm CMS has advised on all legal aspects of the development, financing, and distribution of the new Mamma Mia film “Mamma Mia! Here We Go Again”. The film which stars Meryl Streep...
04/02/2015
New children’s TV tax credit – what you need to know
This article was produced by Olswang LLP, which joined with CMS on 1 May 2017. The proposed new children's TV tax credit is simply an extension of the existing animation and high-end TV tax credit...